Cathedral of St John Berchmans - Schola

 

Cathedral of St. John Berchmans,   Shreveport, Louisiana


 

 

  Cathedral Schola Cantorum

 

July 2010 

Schola schedule
Schola music

 

The Cathedral Schola Cantorum recently celebrated its third anniversary.  Following Pope Benedict XVI's publishing of the new apostolic letter  (Summorum Pontificum)  the chant has seen a resurgence across the country. Happily, as Father Peter Mangum had already been receiving many requests from parishioners for Gregorian chant and Latin in the liturgy prior to the issuing of the apostolic letter, our little schola was a slight bit ahead. Because of those earlier requests, along with his own desire to incorporate this musical treasure into the liturgy once more, Father Peter called an initial meeting of a few parishioners who had expressed an interest...  and the Schola Cantorum was born. Although enthusiastic, most of the parishioners wishing to take part in the Schola had no experience in singing chant or reading the notation. Even so, they made a beginning.
 
From the wonderful resources available online, our all-volunteer group was able to find help in the form of downloadable music and recordings of the various chants to use in learning to sing them. The group first began singing together in early March of 2007. By Divine Mercy Sunday, they sang for their first Latin Mass. A very generous anonymous donor supplied the schola with much-needed Gregorian Missals and Liber Cantualis books. 

The renewed emphasis on chant in liturgy is a call for humility above all else. Musicians are being asked to serve rather than perform. The motivation must be love of liturgy and its source, love of sung prayer and its purpose, and a genuine desire to hear the people of God united in one voice in praise and thanksgiving.

Rome has been thoroughly consistent on the matter of liturgical music and the importance of using Gregorian chant in worship. But genuine change in response to these directives must begin in the parish community. It must come from the people and their pastors so that it can truly take root once again in the life of everyday Catholics.

Pope Benedict: Church Musical Tradition Endures
22-May-2008 -- Catholic World News Brief

Vatican, May. 21 (CWNews.com) - The artistic heritage of the Church is a resource for Christians of all eras, Pope Benedict XVI said at his weekly public audience on May 21.

"If faith is alive, Christian culture does not become a thing of the past," the Holy Father told his Wednesday audience. "Cathedrals are not medieval monuments, but places where we can meet God and one another. Great music-- Gregorian chants, Bach, Mozart-- are not things of the past." The Holy Father based his address on the life and work on Romanus the Melodist, a Syrian "theologian, poet, composer, and permanent deacon" of the 6th century. He said that Romanus belonged to "that sizeable group of theologians who transformed theology into poetry," along with St. Ambrose, St. Thomas Aquinas, and St. John of the Cross among others."

Romanus the Melodist taught the people through his music, the Pope continued; his hymns provided "a lively and original way of presenting the catechesis." Today those hymns provide insights into both the music and the theology of his generation. "This great poet and composer reminds us of all the wealth of Christian culture which was born of faith, born of hearts that encountered Christ," the Pope said.


 

 

Check out this Resource

Chabanelpsalms

 

 

 
attend the Colloquium 

 

Our Mission

Our Schola's mission is guided by the directive of the Second Vatican Council (Sacrosanctum Concilium 116) that Gregorian chant "should be given pride of place in liturgical services, although other kinds of sacred music, especially polyphony, are by no means excluded."  The schola sings English hymns from the classical tradition, along with sacred polyphony, but plainchant is given "pride of place" in our repertoire.  We seek through our voices to offer worthy worship to the Divine Majesty "for the praise and glory of his name" and "for the good of all his Holy Church."

History of the Schola

The Schola was founded in February of 2007 and first sang publicly soon after on Divine Mercy Sunday (April 15, 2007).  The Schola serves the 5:30 pm, Sunday Mass.  We sing year round on Sundays, and occasionally at feasts and special events.

New members are always welcome! Just come to one of the events below and introduce yourself, or contact one of the Schola leaders below for information.  We ask that you have basic note-reading skills in order to join, as well as the basic singing skills.

Gregorian Chant and Latin Resources

The Second Vatican Council (Sacrosanctum Concilium 36, 54) decreed that "the use of Latin is to be preserved in the Latin Rite" and that  "steps be taken so that the faithful may  be able to say or  sing together in Latin those parts of the Ordinary of the Mass which pertain to them."  The  schola  promotes congregational singing of the Ordinary chants (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) and provides booklets with the words and music of these chants whenever they sing at Mass.  


Our Schola is a member of the 
Church Music Association of America (CMAA). 
Check out the
CMAA website

For more information about joining our schola, email us

or call: Justin Ward at (318) 221-5296  
 


 

Visit: CMAA Website




 
 

The Schola Cantorum of St. John Berchmans is a parish member of the Church Music Association of America (CMAA). More information about CMAA can be found at their website at www.church-music.org

Upcoming CMAA events:

Sacred Music Colloquium XVIII

 

 

Free online ear training:   http://www.solfege.org/

 

Check out this website for great online music: http://www.choraltreasure.org/

 


 

Schola Schedule  

 

Schola Music  

Download Chant:
Lux Aeterna
Qui Manducat
In Paradisum

 


Interested in joining the group?  email us.

Music in church should be an avenue to deeper prayer, not a distraction...
Two resources to begin with for those interested.

1)  "An Idiot's Guide to Square Notes"

2)  Jubilate Deo 

Kyrie (pg 3),
Sanctus (pg 3), 
Agnus Dei (pg 4), 
Memorial Acclamation (pg 11), 
Great Amen (pg 11).

 

As I was reading through parts of the General Instruction on the Roman Missal (GIRM) which is the document that contains rubrics and instructions for the celebration of the Mass, I noted that the Church calls such a group as ours: "Schola Cantorum."  Thus I propose that we use the same title.

 

GIRM #103

The schola cantorum or choir exercises its own liturgical function among the faithful. Its task is to ensure that the tasks proper to it, in keeping with the different types of chants, are carried out becomingly and to encourage active participation of the people in singing. What is said about the choir applies in a similar way to other musicians, especially the organist.

 

Also note:   GIRM #41

All other things being equal, Gregorian chant holds pride of place because it is proper to the Roman Liturgy. Other types of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful. Since faithful from different countries come together ever more frequently, it is fitting that they know how to sing together at least some parts of the Ordinary of the Mass in Latin, especially the Creed and the Lord's Prayer, set to the simpler melodies.

 

The Schola Cantorum of the Cathedral of St. John Berchmans exists to glorify God through music, beautifying liturgy (especially Mass) through the chants and liturgical songs that accompany the sacred rites of the Catholic Church.  The Schola Cantorum assists the assembly as the actively participate at Mass.  Our Cathedral Schola Cantorum will always endeavor to conform themselves to all the rubrics and general instructions for singing as presented us by the universal Church.

 

 

 


 

How can we restore
Gregorian Chant
to "pride of place"?

From before the time of Saint Gregory the Great, through the Council of Trent, via Pope Saint Pius X, to the Second Vatican Council, to Pope Benedict XVI, the Holy See has continuously affirmed plain-chant as the most appropriate music to carry the sacred texts of the Liturgy.

Vatican II's Constitution on the Liturgy, Sacrosanctum Concilium, stated that chant was to be given "pride of place" -- a phrase echoed by Pope Paul VI in Musicam Sacram (March 5, 1967) and repeated in the current General Instruction of the Roman Missal. (41)

Chant is eminently suitable for the sacred Liturgy because it is sacred in nature. That is, its form and structure make it separate and distinct from the music of the popular culture. (It has no pounding rhythm, no strong downbeat; it does not induce dancing, frenzy, clapping, finger-snapping, swaying, or other earth-bound activity.)

Its sole purpose is to carry the sacred texts, pulling our hearts and minds away from the mundane and up toward God.         Chant is timeless.

[Recall any movie, television show, or commercial featuring a Catholic church or monastery, and what will be on the soundtrack? Most likely, it will be a Gregorian chant. The world knows that the Church and chant are intrinsically intertwined - even if Catholics have forgotten.]

In too many parts of the country, the belief persists that the Second Vatican Council ordered the cessation of Latin. This is untrue. The truth is that during the Council, Pope John XXIII wrote an apostolic constitution, Veterum Sapientia, On the Promotion and Study of Latin (February 22, 1962) reaffirming the importance of Latin in the Church, and urging that Latin be well-taught in schools and seminaries.

Sacrosanctum Concilium stated "the use of the Latin language is to be preserved in the Latin rites". (36.1) The Vatican has never given any directive to the contrary.

Indeed, the recent liturgical instruction Redemptionis Sacramentum confirms that "Priests are always and everywhere permitted to celebrate Mass in Latin". (112)

Our congregation can sing historic chants like the Gloria, various settings of Kyrie (Greek), Sanctus, Agnus Dei, Pater Noster, and a number of Latin chant hymns.

Gregorian Chant
Is Returning from Exile. Maybe

 
ROMA, December 7, 2005     Benedict XVI is severely critical of the degradation of music following the council, and has written on a number of occasions what he thinks and what he wants: to restore to the Catholic liturgy the great music that "from Gregorian chant passes through the music of the cathedrals and polyphony, the music of the Renaissance and the Baroque, to Bruckner and beyond."

Benedict XVI sent a message to the participants at the congress, gathered in the New Synod Hall, encouraging them "to reflect upon and evaluate the relationship between music and the liturgy, always keeping close watch over practice and experimentation."

Latin and Gregorian chant, which are deeply linked to the biblical, patristic, and liturgical sources, are part of that "lex orandi" which has been forged over a span of almost twenty centuries. Why should such an amputation take place, and so lightheartedly?

 Gregorian chant sung by the assembly not only can be restored -  it must be restored, together with the chanting of the "schola" and the celebrants, if a return is desired to the liturgical seriousness, sound form, and universality that should characterize any sort of liturgical music worthy of the name, as Saint Pius X taught and John Paul II repeated, without altering so much as a comma.

It should begin with the acclamations, the Pater Noster, the ordinary chants of the Mass, especially the Kyrie, Sanctus, and Agnus Dei.

 

 

 

See the Pope's Apostolic Letter:

Summorum Pontificum (Latin)

Explanatory Letter (English)

Documents and Explanation from the USCCB  

 

Useful Websites and Chant resources

 

Church Music Association of America (CMAA) 

There are many other useful links at this site...  please check it out! 
This is where you can become a member and subscribe to the Sacred Music publication, also

St. Cecilia Schola, Auburn, AL 

Find many other useful links at this site, as well as wonderful .pdf files of many wonderful music pieces for use in the liturgy.

Chabanel Psalms      Free psalm settings for use at Mass.

Ignatius Press (Adoremus Hymnal) 

Many useful music and literature resources available here.

Paraclete Press  

Order copies of the various chant books directly from Paraclete here (including the Missale Romanum, Gregorian Missal, Liber Cantualis and others)

Christus Rex (chant recordings) 

These recordings of monks singing all the propers and kyriale of the year are very helpful.

CanticaNOVA Publications 

CanticaNOVA offers many wonderful music resources. You can purchase the Graduale Simplex here. Also, there is a very useful liturgical planning guide at this site. Very useful in planning the music for the liturgy.

Goldberg Magazine

Wonderful magazine on early music

New Liturgical Movement blog 

Great information about news about Sacred art, architecture and music  and issues concerning the liturgy.

Choral Public Domain Library 

Free Choral Sheet Music... includes many wonderful pieces including those we used in our music booklet for the workshop!

 

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